01 / Studio
Architecture, before it exists.
Kunkun Visual is an architectural visualization and CGI studio founded in Bandung, Indonesia in 2017, with a second studio in Kuala Lumpur, Malaysia. It won the CGarchitect 3D Awards 2025 for Non-Commissioned Film, the only Southeast Asian winner that year.
Every project starts with one question
What should the audience feel?
It sounds soft for a technical business. It is not. The answer decides the hour we shoot, the lens we choose, where the cut lands, how long a shot is allowed to breathe. Get it wrong and you have a competent walkthrough that nobody remembers. Get it right and someone feels at home in a place that has not been built yet.
That question is why we treat a property film like a short film. Not a tour of the amenities. A story with someone in it.
Rheza Eka Nugraha
Founder. Keynote speaker at the World Visualization Festival 2026 in Warsaw, after speaking at RENDER IT 2024 in Mexico and Inbetweenness 2023 in Portugal. He tends to talk about why a frame works before he talks about how it was made.
Silvia Wulandari
Co-founder.
Bandung
Jl. Terjun Tandom No. 62, Arcamanik Endah, Bandung 40293, West Java, Indonesia. The production base and the source of most case studies.
Kuala Lumpur
Menara One Sentrum, Level 20, Unit 201, Jalan Tun Sambanthan, Brickfields, 50470 Kuala Lumpur, Malaysia. Serving Malaysian and Singaporean developers.
800+ projects across nine years
3,000+ photoreal images and 100+ films, delivered for clients in Indonesia, Malaysia, Singapore, the Maldives and the Middle East. Zaha Hadid Architects, Keppel Land, Anantara, UEM Sunrise, Sinarmas Land, Summarecon. Nine years of learning what survives a sales gallery and what does not.
How the work is made
There is a signature under all of it, and most of it is restraint.
Shadows stay dark. We do not lift them to grey to show off detail that nobody asked to see. Interior lights and street lamps always read as lit, because a building with dark windows looks abandoned. Sky saturation stays held back. Every public space carries people who are moving through it, not posing in it.
Once a year we make a film nobody is paying for, and we budget it like a paid job. That is where the studio gets to say something without a client in the room. Silent Recall came out of that habit. It is also the film that won in Warsaw.
Inside the studio
